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Mike Portnoy
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The band remains prolific, even after a solid decade of recording and touring, and has produced such popular albums as Images and Words and Falling into Infinity, plus a recent album and home video documenting their live show. Portnoy and LP go way back. "I think I discovered Latin Percussion when I first discovered that tambourines and shakers existed," he smiles. "My high school marching band and concert band stocked all Latin Percussion gear. My first LP instrument was probably a tambourine or a cowbell." Mike emphasizes: "I'm a drummer, not a percussionist. My interest in percussion is more of an embellishment to drumset playing. I never listened to much Latin music, except Santana, but I've seen drummers who also play percussion that blow me away. I'm a novice at hand percussion and I'm in complete awe of the things these people do." Mike has a few tricks himself, to be revealed on an upcoming instructional video from Hudson Music. Portnoy subjects LP instruments, including mounted bells, blocks, tambourines, and a percussion table, to considerable trauma: "My application of the products is a lot more demanding than many of the Latin artists, because I'm using them in rock, playing 200 hundred shows a year, and they're getting bashed and sweated on. After this last tour, everything was fine; I didn't need to replace anything." October, 1999 marks the release of a new Dream Theater album, as yet unnamed, and Mike is laboring on a side project that includes Neil Morris from Spocks Beard. "It's very retro - very Beatles, Yes, and Pink Floyd. There's no metal elements whatsoever, which for me was nice. I got to do my best Ringo impersonation." Speaking of another side project, although Liquid Tension Experiment 2 is on the shelves, don't hold your breath for a third pairing of Mike with Peter Gabriel bassist Tony Levin. After all, as Mike notes, three-quarters of the Liquid Tension Experiment has now joined Dream Theater. |
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